Mahak Sethia

A Glimpse Within
Speculative Cartographies of the Body

Architecture of Being
Beginning from anatomical structures and microscopic forms, the project reimagines the human body as a speculative city: porous, expanding, fragile, and constantly reorganising itself. Veins resemble transport routes, organs become architectural sites, and cellular systems begin to mirror networks of migration, connection, and exchange.
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Rather than presenting anatomy scientifically, the work approaches the body as an emotional and spatial environment, one that stores invisible tensions, personal histories, and layered ecosystems beneath the surface

The BODY as City
Circulation, Infrastructure, and Inner Geography
The body becomes a form of living infrastructure: adaptive, vulnerable, interconnected, and in constant negotiation with its surroundings.
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Rather than separating the internal from the external, the work blurs these boundaries, proposing that identity itself is shaped through networks of exchange between self, environment, memory, and movement.
Roads mirror arteries. Neural pathways resemble transport networks. Architectural structures begin to echo skeletal systems, while movement through urban space reflects the continuous internal movement occurring within the body itself.
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This research investigates these parallels not literally, but metaphorically, asking how human environments might function as extensions of emotional and biological existence.
Cartographies of the UNSEEN

The visual language of the project emerges through layered systems of anatomy, ecology, and speculative mapping.
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Microscopic structures, vascular forms, botanical growth, fragmented organs, and imagined city networks merge together to create environments that feel simultaneously biological and architectural.
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These forms are not intended to function as medical illustrations. Instead, they operate as emotional cartographies, tracing states of fragility, pressure, expansion, rupture, and connection.
The idea of transportation within this project extends beyond physical movement.
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Here, movement becomes psychological, emotional, and cellular. Internal systems continuously transport memory, sensation, energy, and information throughout the body in ways that resemble urban mobility and collective flow.
The project, therefore, reflects on how contemporary life conditions movement itself, how bodies absorb acceleration, overstimulation, migration, density, and isolation.
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Within these imagined environments, circulation becomes both a biological necessity and a metaphor for human connection.
Fragments of Movement

ARCHITECTURES of Memory
Tracing Emotional Landscapes
Memory rarely exists as a fixed narrative. It lingers in fragments, including textures, routes, sensations, atmospheres, and spatial impressions that remain embedded within the body over time. This section explores the relationship between memory and spatial experience, examining how internal emotions can become intertwined with architectural, biological,
and environmental forms.
Layered structures, cellular patterns, transport networks, and fragmented landscapes merge to construct imagined spaces suspended between anatomy and recollection. These environments are not intended to represent physical places directly, but rather psychological terrains shaped through accumulation, movement, and lived experience.
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Organic
Infrastructure
Where Anatomy and Ecology Collapse Into One Another

Natural forms appear throughout the work not as decorative elements, but as structural companions to the body.
Leaves resemble lungs. Root systems echo veins. Cellular growth mirrors ecological expansion. Organic patterns repeat across both human and environmental systems, suggesting that bodies and landscapes are never truly separate entities.
The paintings therefore imagine anatomy as ecological terrain, porous, interdependent, and continuously transforming through interaction with surrounding life forms.
This relationship between biology and environment creates a visual language rooted in coexistence rather than isolation.
Towards an Inner Landscape
A Glimpse Within ultimately reflects on the body as an unfinished environment. Not a closed system, but an open and evolving landscape shaped through movement, memory, exchange, and transformation.
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The project proposes that beneath the visible structures of both cities and bodies exists a quieter architecture, one built through connection, vulnerability, adaptation, and continuous becoming.
What if memory itself had an architecture?

